Hudhud by Maha Akl, 2020 winner of the TDC Typeface Design competition. Image courtesy of the TDC Competition Archive.

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Decentralizing Type

Hearing the words that want to be spoken across geographies, cultures, and scripts

Article

Rediscovering Design in a Supplanted Script: The Case of Javanese
1

Aditya Bayu Perdana

Rediscovering Design in a Supplanted Script: The Case of Javanese

Published  04/28/2022

Article

Toward a Global Definition of Excellence in Type Design, Part One: General Characteristics
2

Nadine Chahine

Toward a Global Definition of Excellence in Type Design, Part One: General Characteristics

Published  01/17/2022

Article

The Proof of the Pudding: A Case Study on Reviewing Type, Featuring Noto’s Cyrillics
3

Ksenya Samarskaya

The Proof of the Pudding: A Case Study on Reviewing Type, Featuring Noto’s Cyrillics

Published  12/19/2021

Spotted Panjim, Goa
on Instagram

Article

Of Centers and Peripheries: Insights from Two Type Designers in India
5

Dan Reynolds

Of Centers and Peripheries: Insights from Two Type Designers in India

Published  08/04/2018

Interview

The Future of Chinese Type Design: An Interview with Joe Chang, Julius Hui, and Li Zhiqian
6

Caspar Lam and YuJune Park

The Future of Chinese Type Design: An Interview with Joe Chang, Julius Hui, and Li Zhiqian

Published  08/04/2018

Article

Through the Typographic Looking Glass: Reflections on the Concept of “Decentralizing” Type
7

Sahar Afshar

Through the Typographic Looking Glass: Reflections on the Concept of “Decentralizing” Type

Published  08/04/2018